Showing posts with label hip hop music. Show all posts
Showing posts with label hip hop music. Show all posts

Saturday, August 27, 2011

Hip Hop Music Is Timeless: Don’t Put an Expiration Date on Your Favorite Music

Music is an art and Hip Hop music is not only an art but a culture. Hip Hop artists should strive to make their music timely. Think of artists like the O’Jays, The Rolling Stones, and The Isley Brothers. They have been making music for many, many years and what if someone would have told them they could only make music until they were 25 years old?

What if the world put a time limit on how long we could create art? Can you imagine Eddie Levert doing something other than making good music? What about Chuck D from Public Enemy or KRS-ONE? I can still enjoy a good show by De La Soul any day of the week.

These artists have been around for years and they are true to their craft. They put out good music consistently and they do not let anyone tell them when to stop doing what they love.

That love for what they are doing is the key ingredient to a successful career. When you start making music just to make some money or to satisfy a record label or whom ever, then you are on the way out. The people with long careers are passionate about their music. They are passionate about their fans. They are in touch with their fans and their fans are in touch with them.

Their music is not about winning awards or fancy marketing and promotions tactics. It is about making good music. Music they can be proud of…music that will stand the test of time and create a mental shift in the mind of the listener.

We will always remember the first time we heard a song from one of our favorite artists and when we hear it now it makes us feel a certain way. That is what artists should strive to do with their music. Then, the music will be memorable and timeless!

So what is the formula for making timeless music? It can be summed up in the following steps:
  1. Have a passion for your music
  2. Find a way to record and distribute your music
  3. Promote your music to as many people as possible
  4. Give great live performances
  5. Repeat Steps 1-4
Using this formula, any artist, Hip Hop or otherwise, should be able to record and distribute their own brand of timeless music as often as they want to. So what are you waiting on? Now is the time to get started creating a legacy for yourself and your music.

Mello Melanin, The Hot Instrumentalist
www.RapBeatCreator.com

Click here for Hot Hip Hop Beats and Instrumentals

***********************************************

Thursday, June 30, 2011

New Video: Eddie "Cappuccino" Meeks Presents: "Song of Satisfaction"

Yo Peeps,

This is the latest video from my homie Eddie "Cappuccino" Meeks. Its called "Song of Satisfaction" and all I'm going to say is it's dope!!!

Check the video below and I'm sure you'll agree.




To get your copy of Eddie's new album "Cappuccino's Unauthorized Records", click on the link below:

http://eddiemeeks.bandcamp.com

As always I encourage your feed back and comments.

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist
*******************************************
Hot Hip Hop Beats at www.RapBeatCreator.com

Monday, November 15, 2010

International Music Marketing: How Hip Hop Artists Can Leap Ahead Of The Competition By Promoting Rap Music Overseas

I was inspired to write this article after a message I received in my inbox from my friend and fellow Hip Hop music artist John Robinson (also known as Lil Sci). He sent me a video of him being interviewed by South African reporter. In the interview he mention he gets more support and love from overseas markets than he does at home in the United States. He was not saying the States do not show him any love but what he was saying is the people overseas embrace his music more. At the time of this writing, he was in South Africa performing live shows and promoting his music.

In my own experience, most of my rap group Prophetix support came from outside of the United States. One of our songs was number one on a radio station in Tokyo, Japan for several weeks. We had other songs that received airplay and sales in Europe and Canada. About half of our fans came from overseas.

If you want to stay local and be a hometown favorite that is fine. However you must have a global outlook if you want to have success in the international markets. People overseas do listen to the commercial artists on the radio but you would be surprised by the amount of people who listen to underground Hip Hop.

The 3 main places to market Hip Hop music are Europe, Asia, and Africa.

I like Europe and especially England for on obvious reason: they speak English! This makes communication a lot easier when we both speak the same language. Actually fans all over the world speak English. Its really the music and the culture itself that do the communicating. Your job as a marketer is to find those people who like what you have to offer and give it to them

How do you do find these fans? We are in the Information Age so there are no excuses to why we can not have access to information. The Internet has leveled the playing field between the independent artists and major label artists. The friend I spoke about in the beginning of the article is independent and he has been that way since I have known him.

What is the difference between him and most other independent artist? He has done his market research and he understands he needs to cultivate the international relationships he has built over time. They are the relationships which keep him traveling overseas several times per year.

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist

For more music business tips check out www.RapBeatCreator.com!

Sunday, January 11, 2009

Make Beats Online: Sonic Producer Will Change The Music Production Game

Can you really make beats online? The rumors are true. Its a fact that technology advances every 18 months. Within the last year music production software has changed drastically. There are music production suites for every budget. There are expensive programs like Reasons and ProTools. There are also inexpensive programs like Sonic Producer.

Although Sonic Producer cost less than an expensive meal for two at a Red Lobster, it can set the foundation for a 'hungry' producer to buy all the meals he wants for the rest of his life.

This software not only has a sequencer, but it comes programmed with an extensive database of sounds for you to choose from to make your own beats. As a producer you need industry quality sounds so that people will take you and your music serious.

The online interface for Sonic Producer also boasts a keyboard, 8 drum pads, and a 16-track volume control.

With the online keyboard you can play melodies and basslines to help you get the groove that you want for your beats. The 8 drum pads help you tap out the beat that you want with more accuracy. Most standard hardware beat machines have drum pads and Sonic Producer gives you this feature as well so you can have a more natural feel when making beats.

The 16-track volume control is great because you can mix sounds to levels that fit your track. A good mix can change the feel of a beat.

One of the features that Sonic Producer has that Reasons 3.0 doesn't have is the ability to convert your finished track in to mp3 format and export it. This means you can download it to your Ipod, burn it to a CD, or even upload it to your MySpace.com page or any site that accepts mp3. You can even create your beat, save them at mp3 files and upload them for sale on sites like Rocbattle.com.

For more information click here or copy and paste the link below in your browser:

http://www.free-hot-rap.com/Beat-Site-Reviews/sonic_producer.html

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist

www.RapBeatCreator.com

Sunday, September 7, 2008

Video Interview: Pete Rock & Green Lantern : NODFACTOR.COM


Anytime you get to hear music legends talk, you should just shut the fuck up! Here are 2 of them together: Pete Rock and Green Lantern being interviewed by Nodfactor.

Click on the link below to check the interview:

Video Interview: Pete Rock & Green Lantern : NODFACTOR.COM

Also, although I consider myself to be a Hiphop historian, I realized I dropped the ball. Yup, I have pie on my face about this one. Here it is: I didn't know Large Professor made beats on the Eric B and Rakim "Let The Rhythm Hit Em" album.

What's funny is that I remember buying the cassette back in the day when it first came out. I really didn't know who Extra P was then but I have a whole new respect for him today.

I felt like a dunce when I found out. Ouch!!!

Just thought I'd throw that lil tidbit in...

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist
www.RapBeatCreator.com

**********************

Saturday, September 6, 2008

Top 20 Hip-Hop Albums of All Time: No. 20 - The Boombox Music Blog

Yo, I came across this while I was fumbling around online. It's the Top 20 Hiphop Albums of All Time compiled by employees of AOL. The comments posted at the end of the list are krazy!!!

Hiphop is so diverse. People were chiming in on their favorite joints and voicing their opinions about what should or should not have been on the list.

There were a lot of mentions about the producers of the albums as well. Some of them might surprise you.

Click on the link below for the full list...according to AOL. LOL!!!

Top 20 Hip-Hop Albums of All Time: No. 20 - The Boombox Music Blog

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist
www.RapBeatCreator.com

********************

Sunday, August 24, 2008

The Source Magazine Picks 20 Greatest Producers

In 20 years, there have been some great Hiphop producers. For their 20th Anniversary, The Source magazine has named their top 20. I've put the list below. What do you think about this list? And why the hell isn't my name on it?! Or yours?! LOL!

Anyway, I can pretty much agree with the majority of the producers on this list. Who would you put on the list and who would you kick off? Here it is in alphabetical order:

  1. Bomb Squad
  2. DJ Paul and Juicy J
  3. DJ Premier
  4. DJ Quik
  5. Dr. Dre
  6. Erick Sermon
  7. Jermaine Dupri
  8. J Dilla
  9. Kanye West
  10. Lil Jon
  11. Marley Marl
  12. Mannie Fresh
  13. Pete Rock
  14. Puff Daddy & The Hitmen
  15. RZA
  16. Scott Storch
  17. Swizz Beatz
  18. The Neptunes
  19. Timbaland
  20. Wyclef Jean & Jerry Wonder


Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist
http://www.rapbeatcreator.com/

P.S. Our names should be on this list for the next twenty years. If you haven't check out Music Producer Pro then you might not get on the list. Click here to start making beats for only $39.00!





************************************************

Sunday, August 10, 2008

Make Your Own Beats: I'm Back In Business Baby!!!

Whew!!! For a minute, I thought I would have to get a new computer. You know I'm a BIG advocate of making your own beats so when my EMU X-Board 25 keyboard wouldn't power up I was wiggin' out. I wanted to put a special audio message on the front of my website http://www.rapbeatcreator.com/. I knew it would help me get more subscribers so when it happened I was trippin'.

I thought it was just something I was doing wrong so I tried it again the next day. Luckily, I knew how to record my message without using the keyboard so I got it done. I checked the drivers and ran a virus scan but still no luck.

I suspected the USB port was the problem because my webcam wasn't working either. So I did a little research and I found out that I needed to get a USB PCI card to install in my computer. I shopped around online and got a couple of prices. Most were $30.00 and up. I even saw some for $100.00!!! So I checked eBay and baammm!!! I found one for $5.98 with free shipping so I ordered it on Thursday. It was in my mailbox on Saturday afternoon and in my computer on Saturday night.









When I hit the switch to the X-Board and the display lights came on, I knew I was back in business. So yeah, there will be more beats in the near future and I'm about to unleash the beast on these cats out here. Make your own beats or die!!! That's whassup!!!

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist

www.RapBeatCreator.com

Thursday, August 7, 2008

Make Your Own Beats: Old Skool vs. New Skool

There is a big difference between the music today versus the music 20 years ago. The Hiphop Kulture was in its "Golden Era" back then and the music was alot more fun. It wasn't making as much money as it is today but it seemed a bit more pure.

Everyone was working to be different from the competition, not trying to emulate them. I mean Heavy D was different from N.W.A. Public Enemy was different from The 2 Live Crew. Big Daddy Kane was different from Run-DMC. And being in the true spirit of Hiphop, the artists strived to be different from each other. What was cool is that you could hear all these artist on the same radio playlist. There was balance.

Today I can't say that at all. Most mainstream rappers are consistent when it comes to talking about Ballin'. How much they are ballin? How much money they have? How many girls they have? Let's talk about my Phantom and my Bentley and how I got to be this way selling drugs, etc., etc. Yeah right!!! The only ones that sound different now are the underground emcees. There are some who still flex skills like Common and Lupe Fiasco but they are rare and they ain't selling records like the drug dealer/pimp types.

The music is different as well. Some of the music still bangs but since everybody found out that Soulja Boy made his break off of Fruity Loops & MySpace.com, people have been trying to copy that formula.

What???

There are still some producers that sample and there are still some who try to make their music have a signature sound. I applaud these producers for wanting to be different. Make your own beats. Make your own sound. That my friend is Hiphop. Peace...

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist
www.RapBeatCreator.com

Monday, August 4, 2008

Make Your Own Beats...Or Else!!!

Hey this is just a thought that I had. If CL Smooth would have been making beats, would his career have flourished as much or greater than Pete Rock's? We all know Pete Rock is sick on the beats and he can flow too. Not as good as CL but he held his own in the group and on his solo joints.

I don't know why Pete Rock and CL Smooth actually broke up. I've heard it was over, you guessed it...BEATS! There was a point in the 90's when Pete Rock was making beats for everybody. Pete was blowin' up and CL was getting blown off. That's just one example of someone who was the beat maker that thrived while others in the group fell by the wayside.

How about Teddy Riley and Guy. Boy, Aaron Hall sure could sing! I mean the ladies were on that dude back in the day even though some said he had a stuttering problem. Teddy was the man though. He coined the New Jack Swing era and made lots of money making beats for other artists besides Guy. I mean from Keith Sweat to Micheal Jackson he made a lot of beats. He produced from countless rap artists too.

Aaron Hall put out some solo albums but so what? I mean the albums were dope but Teddy was collecting checks...FAT CHECKS!!! All from making beats.

Am I advocating that if you are an artists you should take some time to learn how to make your own beats? Hell yeah that's what I'm saying. See you may not always be hot as an artist. And rappers are a dime a dozen. Producers though, producers stand the test of time. Look at Russell Simmons. He even produced a few of Run-DMC's early joints before he became the mogul that we all know. I'll bet he's still gettin' royalty checks too from the 80's.

With that said, I'm out. Tomorrow I'm going to discuss some preventive maintenance stuff to help you in your business as you make your own beats. Until then...

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist
www.RapBeatCreator.com

Tuesday, July 29, 2008

Did You See Kanye West & Sway On MTV Last Night?

Photo Credit: Justin Borucki

Did anyone happen to catch the MTV special "Choose or Lose & Kanye West Present: Homecoming"? I thought it was great! Here is someone who's been ridiculed for one reason or another who goes out and actually helps someone he didn't know.

Now, I'm not saying that Kanye never helped anyone before this because I'm sure he has. It was just good to see him do this with war veterans from Iraq. The stories that these three people had were very touching. Yep, I said touching.

See even though they were being filmed giving away items, paying off the soldiers debts, etc., the point was that they were helping somebody who thought there was no end in sight to their misery. I give Mr. West a thumbs up fa sho for doing this.

These soldiers are dying everyday just so people like you and I can enjoy the freedoms that we have such as blogging or making your own beats or whatever. The stories of when they joined the military were even more chilling to me. They had joined pre-9/11. They weren't expecting to go to war and now they were living history. One man said he'd never even held a gun before. They were all young people too.

I know he only helped 3 people during the special but how many other lives were touched just by watching it?

Kanye knows what it's like to lose a loved one and I do too. I lost my uncle (R.I.P.) to a senseless murder by some teenagers the same day as his mom died. But those that are living must go on. Thanks Kanye West and MTV! We needed that...

For the full story click on the link below:

Kanye West And MTV Hear Veterans' Stories In 'Homecoming' - News Story Music, Celebrity, Artist News MTV News

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist
www.RapBeatCreator.com

Monday, June 30, 2008

Ghostface Killah In Iron Man Movie



I finally got to check out the Iron Man movie last week. I thought it was a dope movie for many reasons. One in particular was toward the beginning of the movie when Tony Stark was on his private jet. While Tony was having a party on his jet with his flight attentants, he had a big screen TV in background with a Ghostface Killah video playing.

For those that aren't fans of Ghostface, they wouldn't have known that one of his alter egos is Iron Man aka Tony Stark. I thought what a great deal for Ghost. He doesn't sell a whole bunch of albums but he is the most consistent of the Wu Tang Clan. Truely underrated and when I met him back in the day he was very cool & humble.

One of the other reasons I liked the movie was that I'm a big kid. Iron Man was one of my favorite heroes growing up.

Also did I mention that I've always had a fantasy to fly?

Ummm, I'll tell you about that later...

Holla!!!

Mello Melanin, The Hot Instrumentalist
http://www.rapbeatcreator.com/

P. S. Getting your music into soundtracks is a great way to get lots of income. If you would like to learn how to make rap beats so you can market your songs to the music supervisors for blockbuster movies click here!

P.S. Iron Man pic courtesy of Zane Rosenthal & Marvel Entertainment. Ghostface Killah pic courtesy of Adam Bielawski / Photorazzi.

Friday, June 27, 2008

BET Awards: The Best One Yet?

Whassup folks,

Did you happen to catch the BET Awards a few nights ago? Some people are saying this is the best one yet. I would have to agree with those critics. I watch the BET Awards on Tuesday night and I really enjoyed it. If you didn't watch it, you missed a treat. Everybody did a pretty good job and there were even some GREAT performances that night.

Let's get started from the beginning. D.L. Hughley was the host and he was nuts. I would've liked for him to tell more jokes but the show wasn't about him. His opening monologue was great. He ain't as busy as Steve Harvey and Cedric the Entertainer but he is still a King of Comedy.


The opening act was Usher performing "Love In The Club". Although it wasn't one of his best performances, he gets major props on dancing on 2 moving conveyor belts going in the opposite direction. That took a lot of skill. Alot of lip syncing but that's to be expected when a person has that much dancing talent. A-Town represent!!!


Young Jeezy's set was okay but his mic sounded horrible. I thought that was unacceptable for BET because they got long money and that should have been fixed. Also, there is a slight possibility that Jeezy didn't do a sound check but I seriously doubt that was the problem. He brought out the beat creator himself, Kanye West to close out his set and his mic was horrible too. Thumbs down to BET again for the lousy engineering during this set.


Next was Keyshia Cole. Although I think she is sexy as hell and can blow with the best of them, that didn't stop her performance from being garbage. She came down from a pedestal which had been done so many times before but what really hurt her was not having any background singers. She's too dope to miss that and I don't know if it was her decision or not but her opening song was wack as hell. Then she went into her second song which was last summer's banger "Let It Go" that featured Missy Elliot & Lil Kim. Keyshia ripped off her dress and oh my God! That's one fine sista. She was rockin' some long white boots that took my mind off the horrible opening song. Lil Kim was okay and Missy wasn't there at all but Keyshia...wow. I'm still a fan...

Oh yeah. Her mom and her sister were wildin' out at the pre-show. Also, during one of the introductions of the award presenters later in the actual show, Keyshia's sister's boobs almost fell out of her dress. I'm sure men who like stacked women (me included) were just wait for them to pop out but it never happened...

I can't remember if Ne-yo went next but his show was dope. His choreographer went nuts and the whole dance team looked solid. He was probably my runner up for one of the best acts of the night. The brother's singing was pretty good even though he was dancing which was a downside to Usher's show: singing and dancing at the same time.

Also in the running for "Best Performance" was Ms. Alicia Keys. She can rock the house by herself but this time she brought along some guest from the 90's: SWV, En Vogue (all four of the original divas), and TLC (R.I.P. Left Eye). Me and my wife were out of our seats because it was basically an old skool concert for us. And since we both from "The A", when everybody on stage started doing the Bankhead Bounce, we went bannanas and started doing it too. What a treat!!!
Now we all know Chris Brown can dance, right? He's been dope since "Run It" and this time he had Ciera with him. They did an awesome routine where she fell down backwards and he caught her with the heel of his foot, kicked her back up and kept on rockin'. Hot!! Very Hot!!!

One of the wildest performances of the night was my homie T-Pain. If nothing else, he gets props for his outfit. My wife said it was teardrops and I said it was paisley but aren't paisley prints shaped like teardrops? Anyway...T-Pain did his thing and his acceptance speech for "Best Collaboration" with Kanye West was too funny.

Back to his show... Pain did "Ringleader" then he brought out Flo Rida who rocked "Lo". Flo dropped a verse then out came Rick Ross to perform his current hit which also features T-Pain. Then came my joint - "I'm So Hood" by DJ Khaleed - the remix version featuring ATL's own Big Boi from Outkast and Ludacris. It was cool because I've met both of them on several occasions and Luda was the first commercial radio DJ to play my vinyl on the air back in the day. Good to see them both makin' moves. T-Pain's set gets props all the way around.

Rihanna's set was cool. What was dope about her set was that you could look around in the audience and see people in the crowd singing with her on "Take a Bow". She only did that one song and I really wasn't that familiar with it but she did pretty good.

At this point the show went into overdrive. After D.L. Hughley introduced Marvin Sapp as Warren Sapp, Marvin tore it down with "Never Should Have Made It". It was good to hear because he changed the energy of the show. And the song is dedicated to his late father so that made it even better when he won the award for "Best Gospel Artist". At the end of Sapp's set, Hughley appologized for calling him Warren which showed alot of character for Hughley.

Sapp's set was great segway into the "Lifetime Achievement Award" presentation by Queen Latifah for Al Green. This was probably the best part of the show. After a video presentation about Al Green career, Jill Scott came out and started singing an Al Green classic. She was followed by Anthony Hamilton who sounded damn near like Al Green. The Mr. Missing In Action himself, Maxwell, came out and closed up that part of the set.

Then Mr. Green got up, accepted his award, then tore the stage down! I mean everybody was up out of their chair dancing & singing along. It was good to see Al turn it out in front of so many young heads. He had so much energy and stage presence. His career of 30 years is truly a lifetime achievement and most artist including myself dream of having careers that long. Thanks Al for all the good music you have put out over the years.
Next was Nelly who came out and rocked with Jermaine Dupri and then Fergie. His set was good but its hard to follow Al Green!!! Nice try Nelly but you still get mad props because the girls in T-Pain's set all had Apple Bottom Jeans on...even the ones on stilts.


To close out, Lil Wayne, who won the "Viewer's Choice", rocked with T-Pain so joint from his new album. It wasn't his hottest joint ever but the crowd was amped and rightfully so. Wayne is the man right now especially with over 1 million 1st week record sales. Nobody's done that since 50 Cent. Big ups Lil Wayne! You deserve it!

So yes, this year's BET Awards was probably the best ever and you can catch the reruns if you missed it.... Holla!!!

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist
http://www.rapbeatcreator.com/

P.S. Don't forget I will be posting a series of tutorials on the blog as well as email. If you haven't already signed up for my email list, you da one who's missin' out!!!

P.S.S. All pics courtesy of BET, Inc.

Friday, June 20, 2008

Hear & See Me Create A Rap Beat From Scratch

Over the next few days I will be showing you how I create a beat from scratch. I will be using audio and video so you can see just how easy this is. If you're on my email list, you will be getting these videos in your inbox. If not, what are you waiting on?

Subscribe today and you'll get 7 free rap beats while they last.

Be on the look out for the next post or email.

Holla...

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist

P.S. As always if you want to learn how to make rap beats, check out Music Producer Pro by clicking here.

Monday, June 16, 2008

2 of Hiphop's Greatest Beat Makers Battle in L.A.

I'm surprised I didn't hear about this earlier. DJ Pete Rock vs. DJ Premier going back and forth on the wheels of steel. I woulda love to be a fly on the wall in that joint. I've been rockin' to both of these cats since the early 90's. I gotta say I missed a good one and I feel even more outta place because it happened on April 18, 2008.
And I'm just hearing about it today!!!

Any true head should know how these two legends are. I mean, I still rock Mecca and The Soul Brother like it came out yesterday. And who ain't noddin' their head when Mass Appeal comes on by Gangstarr (produced by DJ Premier). If you haven't heard of these two then you're either mad young or been under a rock for all of your life.
I've seen both of these guys live separately but to see them together would've been a treat. I'm mean look at this crowd:


Here are some other close up pics. All photos courtesy of Scifen:





This is CLASSIC Hiphop!!!!

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist

P.S. Get Ya Skills Up! Learn How To Create Rap Beats For CASH like DJ Premier & Pete Rock. Click Here For More Info!

Tuesday, June 3, 2008

How To Create Rap Beats That Create Residual Streams Of Income…Forever!

For people who are new to making rap beats for dollars, here is an interesting concept: if you create a hot beat, it will pay you many times over and above the time it took to create it. What do I mean when I say this? I mean your beats have value, not only to you but to others as well.

My rap group Prophetix, put together a single back in 2000 called "True Urban Grit". It was the first song we recorded with our new Dee Jay/producer. Little did we know that this song would become a standard (a song that stands the test of time) in our music catalog. We released the single to as many media outlets as we could including commercial, non-commercial, and college radio. We sent out press releases, email blast, and performed that song all over the United States. We even sent copies of it overseas.


We'll that song not only was a favorite in our live shows but it became #1 on Tokyo, Japan's most popular rap radio shows. Yes, I said Japan. We sold all of the copies that were pressed up so we made some money as well as gained recognition. After we had completed several other projects a few years later, we get a call from DJ Numark from Jurassic 5.

This was in 2005. My DJ knew Cut Chemist who was the other DJ in Jurassic 5 and I'm not sure how Numark got the song but somehow it ended up in his hands. He wanted to put out a mixtape with "True Urban Grit" on it so we begin negotiations. After the negotiations were over we finally agreed on some upfront cash to let him use the rights to our song. We settled on $1,500.00 which is not too bad for a song that was created 5 years earlier. The part that is even more amazing is that he only used the first 30 seconds of the song.

This was pretty cool considering we didn't expect this money to come at all. This is the power of not only creating rap beats but understanding music publishing as well. Creating rap beats is an investment in your future. Is this for everyone? Certainly not, but for those that are serious about being in the business of music, it would do you good to learn about music publishing and royalties.

Wouldn't it be good to collect checks over and over for music you only worked to create once? I have only scratched the surface of the power of creating rap beats. Some artists don't even know they can collect fees for licensing their beats to BMI and ASCAP. These are the publishing societies that license your music to radio, television, movies, ringtones, etc. They also collect payment for you and send you a quarterly check if anyone uses your music.

Imagine what kind of checks Dr. Dre, Timbaland, Kanye West, and Just Blaze get just for creating rap beats. Now imagine how it would feel if you were getting these checks. It would feel good wouldn't it? So what are you waiting on? You have beats to create! Get started making and marketing your beats now and with a bit of luck and hard work you can get rich by making beats.

Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist
www.RapBeatCreator.com

Sunday, June 1, 2008

Music Producer Pro: Create Rap Beats Overnight

Whassup Folks,


I thought the Rap Beat Manual was pretty good. I've found something even more thorough to help you get your production skills up to par and moving in the right direction.


This program is called Music Producer Pro and it comes with video tutorials and a load of bonuses. You can check it out by clicking here.







Let me know what you think...


Let's Make It Happen!!!


Mello Melanin, The Hot Instrumentalist



P.S. If you are serious about getting started and creating rap beats as quick of the click of your mouse you should really check out Music Producer Pro. Holla...

Tuesday, May 20, 2008

3 Things You Need To Create Rap Beats

With today's technology, creating rap beats is not nearly as difficult as it used to be but the top 3 steps remain the same. These are the things you absolutely must have to even create your first beat:

  • The Will
  • The Way
  • The Movement
Let's start with The Will. It all starts here. You've got to do more than just want to be a producer. You have to have the willpower to figure out what it takes then do what it takes to be successful. And let's stop and define success real quick: Success is the progression of a worthy goal. This means success is not obtaining the goal but the journey you go through to obtain it.

This is where your will comes into play. Without the willpower to learn what it takes to become a producer and complete all the steps involve guess what? You won't be very successful. You must have the drive to see it through to the end. You can't be easily deterred by every little bump in the road that comes along...and surely they will come.

You must have The Will to keep going.

The second the you must have is The Way. The Way is your vehicle to create rap beats. It is your equipment. I once had alot of will but I didn't have the way to produce anything! But using your will correctly will lead to you doing the research to getting equipment so that you can make beats.

A good way to find out about the different equipment that you will need is to do research in music stores, read magazines like Scratch where producers list the equipment they use, read forums or online blogs. Or if you know any producers, just ask them what kind of equipment to use.

There are many different items to choose from. Some of the most popular tools include the MPC series of stand alone production tools, and computer software such as Reasons & Fruity Loops. Then there are other pieces of equipment like keyboards, microphones, mixer, track machines, etc. You have to decide what's right for you and your budget. For me, I use Reasons 3.0 software and an EMU X-board midi controller because they fit my budget and they make great industry quality sounds.

This is The Way to create rap beats.

Last and certainly by any means not the least is The Movement. This may be more important than the other 2 steps. Nothing happens without action. Nothing! You can have all the willpower in the world but if you're just sitting on the fence waiting for the perfect time then its not going to happen. You've got to get moving. You've got to do your homework by pricing the equipment, setting a date to get it, doing what it takes to get it, and actually using it to become better at your craft.

Talk is cheap! Its the people that act on their desires that achieve their goals...not the people who simply talk about them. Again, nothing replaces action. Nothing.

We see all the top producers in the rap industry and guess what? They are busy working on more and more beats. What's the difference between you and them? I mean we all get the same 24 hours in a day and breathe the same air. The difference is how we spend that 24 hours that we are each given. Why not spend that time making beats?

And as you're making beats you are steadily building up your catalog of songs. YOUR catalog could be worth lots of money one day. Don't sleep...

You gotta have Movement.

Let's Make It Happen!!!
Mello Melanin, The Hot Instrumentalist

P.S. Go check out The Rap Beat Manual by clicking here. It covers these 3 essential things and much more!!!

The History of Rap and Hip Hop Music


Let me know if you agree with this article. Only so much Hiphop history can be put in an article and this is an attempt at a miracle!!!

Holla back...


Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist

Become a top producer by learning how to make rap beats. Click here for more info!



Monday, May 19, 2008

5 Ways To Make Money Fast With Your Rap Instrumental Beats

Here is something that near and dear to my heart. :-)

This is an article I found on creating rap beats and instrumentals for money.


Check it out and let me know what you think...


Let's Make It Happen!!!

Mello Melanin, The Hot Instrumentalist

Learn to create rap beats FAST!!! Click here!